Due to the changes made in the last few decades, it can be said that the Internet, and then Digital technologies, have transformed the generality of Music industry. While some of the negative consequences of this trend can be pointed out, it must be acknowledged that a large portion of new businesses in the Music industry such as Digital Music Distribution has been a positive consequence of these technological changes. Given the specific cultural, social, and political conditions in Iran, the main goal of this research is to develop strategies for optimizing the use of these emerging opportunities in the Digital Distribution of Music with an innovative and practical approach. In this regard, using a qualitative research approach and interviewing 14 experts in the country, this study presents its strategic plan for the study. The strategies proposed in this study are divided into six sections: product innovation, service, position, process, social, and paradigmatic. Finally, the results show that if Digital Music Distribution services can adequately identify their needs and feelings, they will be able to better respond to their needs and innovate with business model innovations. They will, by doing so, finally bring new actors into their market. Finally, there are some cultural and political challenges in this arena.

The disadvantage of the innovation system is one of the main causes of the economic problems in the Music industry, and elimination of this problem involves organizing the innovation system in various parts of the Music industry, especially in the Digital age. In recent decades, the Digital Distribution of Music has been able to create a lot of wealth for different societies. In particular, inside the Digital media environment, "Distribution" is at the heart of the Music industry. Therefore, with a closer look at how Digital Distribution of Music can be systematically mapped out the creation of wealth in the Music industry. Using a deep case study, the present study seeks to reach the efficient media market in the Digital Distribution of Music through the identification and analysis of media innovations of an Iranian business (i. e., Beeptunes). In this regard, using the conceptual framework of Media Innovation of Storsul and Krumsvik, innovations in this online business have been analyzed in five dimensions of product, process, position, paradigm and social. The main results of this study indicate that media innovations should not be considered only as technological innovations; instead, online businesses in the Digital Distribution of Music should have a "humanistic" look at innovations Media outlets. The key to the success of online business in the Music industry is to pay more attention to the key player in the industry, called the "human".

The development of internet technology has helped to revive of Music products. The purpose of this study is to find out how an internet marketing plan can aid in the growth and the development of an Iranian Music production company. Our goals were to investigate the four elements of System, Site, Scope, and Synergy in the context of online Music marketing from the point of view of Music production and Distribution companies in Tehran. This is a survey-based study, using a designed questionnaire based on the 4S web-marketing mix model to collect the views of managers and experts in this field on the factors affecting the success of online marketing of Music albums. The study population is the companies that produce and distribute Music products in Tehran, which is currently 58 companies, and randomly we selected 160 companies to participate in this study. Results indicate that all four elements of internet marketing mix (scope, site, synergy, and system) are effective in improving the performance of Iranian Music companies. Also, the results of this study indicate that from the perspective of Music companies the elements of scope, synergy, site and system are the most important factors respectively. Also, all the indicators designed for each element of online Music marketing are desirable or relatively favorable. The 4S internet marketing mix model has the potential to be used in the marketing of Music products, and all its elements are effective for online Music marketing success.

Introduction: Long-term clinical evaluation of dental implants and their surrounding structures is of utmost importance to acquire knowledge about reasons for implant success and failure.However, accurate and reproducible results are difficult to obtain. The aim of the present study was to examine bone height around endosseous implants on Digital conventional radiographs (DCR) and direct Digital subtraction images (DSI) prior to loading.Materials and methods: In this experimental study, bone height around 10 implants in 6 patients was assessed by 2 observers. Standardized Digital radiographs were obtained just a week and 3 months postoperatively and subtracted by means of EMAGO software. Then the observers evaluated bone height on DCRs and DSIs. MINITAB software and paired t-test were used for statistical analysis (a=0.05).Results: Comparative evaluation of bone height indicated significantly higher values on DCR than on DSI (p value=0.002). The observers also had statistically significant variability in this assessment (p value=0.00003).Conclusion: DSI demonstrated lower values of linear measurement of bone height around endosseous implants compared with DCR. Interobserver variability should be considered when comparing values from follow-up studies.

Due to the changes made in the last few decades, it can be said that the Internet, and then Digital technologies, have transformed the generality of Music industry. While some of the negative consequences of this trend can be pointed out, it must be acknowledged that a large portion of new businesses in the Music industry such as Digital Music Distribution has been a positive consequence of these technological changes. Given the specific cultural, social, and political conditions in Iran, the main goal of this research is to develop strategies for optimizing the use of these emerging opportunities in the Digital Distribution of Music with an innovative and practical approach. In this regard, using a qualitative research approach and interviewing 14 experts in the country, this study presents its strategic plan for the study. The strategies proposed in this study are divided into six sections: product innovation, service, position, process, social, and paradigmatic. Finally, the results show that if Digital Music Distribution services can adequately identify their needs and feelings, they will be able to better respond to their needs and innovate with business model innovations. They will, by doing so, finally bring new actors into their market. Finally, there are some cultural and political challenges in this arena.

Among the three main domains of production, Distribution and consumption, Iranian national Music has specifically received little attention from contemporary researchers. Music has a special place in the Iranian culture since it is shaped by historical and biocultural experiences of this society. But in recent years, Iranian national Music has not only lost its social influence but the audience and its social functions as well. Usually, Music is distributed in Iran through its producers after obtaining official licenses and reviewing the content of a Musical piece. Since Iranian national Music is different in contents and requirements compared to other countries, using Western theories to understand its Distribution mechanism in Iran may not be very helpful. Also, no research has been done so far to understand the socio-cultural aspects of the Distribution mechanism of Iranian national Music. This research seeks to establish a comprehensive understanding of this field with a heuristic approach as well as by using the systematic grounded theory. Data were collected via an in-depth interview technique, coded and categorized with three open and axial as well as selective instructions. 23 concepts and 8 categories were extracted from the data. Finally, using the paradigm model, the grounded theory is presented in the form of a story and visual model.

The Digital phenomenon, which is almost half a century old, has left many important effects in human social life, in which accuracy is considered one of the essential elements of all modern societies. For this purpose, this study has tried to examine it from different angles, considering the importance of the subject. This study analyzes the differences between traditional and modern art, despite the challenges and opportunities, through today's tools such as radio and television, in addition to the domination of audio and visual mediums in front of traditional assets from two perspectives. First, he criticized the origin and foundations of this phenomenon in the field of sound and Music and pointed out that along with the progress of the Digital industry, the world of Music has also established a deep connection with business, economy and cultural policies due to this electronic medium. Second, the phenomenon of Digital Music was scrutinized in the social-cultural context and in the star-making (celebrity) process, and it showed that Digital concepts have an important place in the economic system of world Music, and with its enormous potential, it can be used as a serious approach in artistic and economic discourses (especially in developing countries such as Iran). Finally, the results of this study showed that various factors are influential in these developments, some of which typically cause the replacement of cultural and artistic products and make it possible to present various opportunities and challenges to be faced by artistic activists and cultural policy makers.

Introduction: Academic motivation can be perceived as a factor in deciding to continue academic education. One of the new models in this area is Jones’s model of academic motivation (Music). This study aimed to test the seven-factor structure of this motivation model in medical sciences students.Methods: This descriptive study was conducted on 378 students (197 females and 181 males) of Urmia University of Medical Sciences who were selected through cluster sampling method. Data were collected using Jones and Wilkins’s 26-item students’ motivation questionnaire. Amos-16 software was used for the correlation matrix analysis and confirmatory factor analysis.Results: A positive significant correlation existed among the components of the model. Goodness of fit indices showed that the seven-factor model provides a good fit of students’ academic motivation. Conclusion: The seven-factor structure of academic motivation (Music) model can be highly useful in developing and promoting students’ academic motivation and participation.

Background and Aim: Rap Music has become increasingly popular among Iranian youth due to its themes related to lifestyle, social issues, politics and criticism. In this article, we aim to explore the influence of rap Music on the lifestyle of the Digital natives, also known as network generation. Given the distinct nature of the network generation and the prevalence of behaviors such as drug use and risky sexual activity among some fans of rap Music, it is important to study the relationship between addiction to listening to rap Music and its impact on the lifestyle of Digital natives. This is particularly relevant due to the social acceptance of this Music genre among Iranian youth. Method: This research is of theoretical type and the research method is descriptive-analytical and the method of data collection is library and has been done by referring to documents, books and articles and online questionnaire. Ethical Considerations: In order to organize this research, while observing the authenticity of the texts, honesty and fidelity have been observed. Results: The analysis of questionnaire data and meta-analysis of previous research suggests that rap Music, with its unique characteristics, can have both positive and negative effects on its audience. While it may sometimes help in increasing critical thinking, it also tends to have significant negative impacts on violence, drug use and the driving habits of Digital natives. Conclusion: It is suggested in the article that the negative-repressive policies aimed at controlling this type of Music are ineffective. The reasoning behind this is that rap Music is easily produced and disseminated and is promoted uncontrollably in the virtual space. Additionally, the new generation of teenagers has a preference for this type of Music that cannot be ignored. To prevent and mitigate the adverse effects of rap Music, a set of well-considered problem management measures, especially harm reduction policies should be employed. Please cite this article as: Salimi Ghalee E, Ashtab N, Jahanshahi A. Analyzing the Impact of Rap Music on the Lifestyle of the Digital Natives. Medical Law Journal. 2024; 18: e33.